Skip to main content

Sign O’The Times

In April 2016, Parliament enacted legislation enabling councils to remove out of date and unnecessary road signs. Nearly 6 years later, and the difference is negligible, but the intention behind it is admirable.

Road signs as we know them today really began in 1963, when the British Government commissioned a review into the signage used on the nation’s roads. The Worboys Report (named after the chair of the committee, ICI’s Sir Walter Worboys) re-defined and standardised the signage in use, replacing the inconsistent, localised, often incoherent and ill-placed text-based warnings, with the clear, pictogram versions that we know today. 

Against a background of an enormous increase in car ownership, the governments of the 50’s and 60’s were tasked with modernising the road network, which, with the exception of the M1 (opened 1959) was still recognisably pre-war. The combination of confusing signs, a young population eager to enjoy the freedom of the road, no drink driving laws, and MOT’s only required for vehicles over 10 years old resulted in perilous roads; road deaths in the UK increased every year from 1950 until their peacetime peak of c8,000 in 1966 (it’s c1700 these days).

Following their succesful implementation of the Anderson Report into Motorway Signage, the design team of Jock Kinneir and Margaret Calvert were employed again, this time to tackle the A and B roads. Their easily identifiable, logical designs went a long way to reduce motorist confusion and frustration, and, in no small part, contributed positively to road safety.

But, that was then. Their ethos of simple, well-placed, less-is-more signage has been lost; and in its place is a mass of illuminated metal, unsightly, expensive, confusing and counter-productive. It is also, with more cars equipped with sat-nav than otherwise, becoming obsolete. 

Recently, on a 14 mile, sat-nav-guided trip to Droitwich, I counted 6 signs pointing me in the town’s direction, which, frankly, seemed rather desperate.

Let’s modernise our approach to signage. We can recycle the metal, save the cost (both financial and environmental) of illuminating them, reduce distraction, and just, you know, tidy the place up a bit.

Comments

Popular posts from this blog

Uncharacteristically personal post. Delete if not allowed.

Definitely not a cry for help (I'm FINE), and not attention-seeking (well, no more than usual, any road) and I think I'm writing it to keep a record of it, and offload it: Better out than in (as my dear, sweet, grandmother would say). I've always loved an off-season seaside resort. I enjoy the melancholy vibe. I particularly love this stretch of Welsh *checks* Cambrian coast; the location of many happy family holidays with my parents, brother, aunt, uncle, cousins, and Grandad Evans, who I adored: Funny, mild-mannered, generous: a true role model. He died when I was 12; the first human death I experienced. I think of him often, in fact, every time I wash my face in cold water; something he did every night; he told me so in a holiday cottage not far from here, in Harlech; one of those trivial incidents and conversations which resonate for a lifetime. I've been melancholic for a while, particularly in the last week, where the deaths of people have made me think of mort...

Biscuits for the Busmeister.

Trip to Warwickshire to see, and bring biscuits (Liebniz, Viennese Whirls, Fruit Shortcake) to my friend Robin Fearn, a.k.a Busmeister, a leading light of the VW T3 scene. Amongst the customer vehicles (Robin has just completed a PD 130 conversion to the recently reupholstered Doka on the ramp), we see his Carat which, when his client order book allows, will receive V8 might from a donor S6, and ride on Porsche Sport Design 18's. Also seen here, Robin's Massala Red panel van, recently converted to MK3 GTi 8v propulsion, the 16v's manifold being too large for the bay. Finally, we see a customer's Doka, with bespoke rear panels and a new A8 subframe, waiting in the paint booth, shortly to receive V8 brawn from an S8. More on Robin here: https://busmeister.com/

Brummie cars, The Chemical Brothers, & Lulu.

These buildings are the last remaining structures of "The Austin"; Rover Group's Longbridge car factory,  where, at its peak in the mid-sixties, production reached c.325,000 units, now sitting amongst the new builds of a St Modwen housing estate, complete with mainly German or South East Asian-built cars on their drives. The tracks and paint vats of CAB1 (Car Assembly Plant) can be seen here, in a factory where thousands of workers from generations of families once built models such as the Austin Seven, MINI ( with Lulu driving the last classic Cooper off the production line in October 2000) , Metro, Allegro, 200, and in later years, the 75, and MG-F/TF. Following MG Rover's collapse in 2005, the site saw small-scale assembly until 2017, but now, Chinese state-owned car manufacturer SAIC, owner of the MG brand, operate only a technical facility in Longbridge, on the part of the site formerly known as the Q gate: the main factory entrance. The video for The Chemical Br...