In this installation, (Collapsed Utopia) the artist explores the decline of two diametrically opposed ideologies: The aspirational detached house, a product of Thatcher's ruthless social mobility, sits with a Soviet-era Yugoslavian-built Zastava decaying on its unkempt drive. The juxtaposition of these emblems, sitting in leafy, well-heeled Edgbaston is stark, jarring; uneasy; totemic of Birmingham's post-industrial decline. Or summat.
Crisp talk, sweet reviews, car, train, transport & tech chat, pics of food/street vomit/wolf fleeces/windsocks/three-quarter length trousers, plus hackneyed jokes, lazy musings, ill-informed opinions, biting satire, music, events, comedy & cinema, with tales of high jinks, scraperism & japerism, travel pics, drivel, twaddle, Popmaster, & comment from a middle aged man living in South Birmz, who frankly should know better, and is trying to make sense of the world. Would recommend.